It’s official! Smells Like Heaven, my third book, is coming out with ARP Books in June. Here’s a peek at the publisher’s description:
Set in the fictional town of Fletcher, the connected stories in Smells Like Heaven span thirty years. Fletcher is a town the characters strive to escape, but keep returning to, as they stumble through life searching for ways to connect and transcend their claustrophobic pasts. Following two sisters—Devon and Christine—as well as their friends and lovers, Smells Like Heaven exposes the core of what it means to be transformed by love.
Check out their website here.
I’m pleased to have an essay in the current issue of Grain magazine.
I’m thrilled to have my story “The Trip” coming out this summer in The Feathertale Review.
My story “Freedom” is in the current issue of White Wall Review Issue 40.
I’m very excited to have my essay “Chase and Catch” published in CNQ: Canadian Notes & Queries!
“The Moment changes…. Keep eye peeled regarding situation around you.
Learn its demands. And – meet them. Be there at the right time doing the right thing.” (Dick, 155)
Can a story have an aura?
Walter Benjamin tells us that an ancient statue of Venus “stood in a different traditional context with the Greeks, who made it an object of veneration, than with the clerics of the Middle Ages, who viewed it as an ominous idol. Both of them, however, were equally confronted with its uniqueness, that is, its aura.” (Sec. IV)
The literary object we expect to exude an aura is the book. Possession of the right book allows a collector to “own” history. Leonardo Da Vinci’s The Codex Leicester. Shakespeare’s First Folio. The Gutenberg Bible. But our oldest stories first came to us orally, were held collectively. If these stories had auras, would they embrace the shape of the teller’s mouth and the timbre of her voice? Would they contain the curve of the attending ear?
Read more at Red Lemonade’s Blog